دانلود Artist at Work Tutorial Series دوره های آموزشی تکنیک های کاربردی و موردنیاز هنرمندان

She starts by establishing value, or light and dark areas in the composition, and then shows how to use varying opacity and a limited color palette to further define the forms in a painting. Finally, learn how glazing can make your colors pop even more and shift the palette toward a warm or cool tone. Mary Jane compares traditional media to a digital workflow while using brushes, sponges, watercolors, and acrylic paint to achieve her results. These lessons can be easily migrated to digital artwork and designs using programs like Adobe Photoshop and Illustrator.

Mary Jane uses the following materials in this course:
- Arches 140 lb hot press paper
- Tube watercolors- Winsor & Newton Cotman brand
- Paper stumps for blending
- Pastels- a variety of stick and pencil forms (including Conte pastel pencils)
- Short, fat, fine-bristle Winsor & Newton #2 and #4 brushes (for scrubbing color off)
- Sceptre Gold II sable/synthetic blend #3, #6, and #10 brushes
- Winsor & Newton Cotman brand 25 mm/1 in. flat brush (for washes)

Artist at Work: From Sketch to Finished Vector Illustration:
Von Glitschka is known for his witty, colorful illustrations, logos, and design work. But how do his drawings make it from refined sketches to polished pieces? This installment of Artist at Work enables you to follow along with Von's coloring and shading process, as he transforms this vector-based graphic in Adobe Illustrator. He starts with a scanned sketch and builds out the basic vector shapes. He then adds shading, highlights, and color—the finishing details that make his illustrations so extraordinary. Von's methods are simple to follow and will help create a new level of depth and richness in your own vector creations.

Topics include:
- Getting started
- Building base vector shapes: Part one
- Building base vector shapes: Part two
- Establishing base colors
- Refining color and detail
- Adding finishing touches

Artist at Work: Textures:
Mary Jane Begin is back with more from the Artist at Work series. This installment focuses on adding texture to your imagery—visual texture that breaks up repetitive strokes and static blocks of color—with pattern, color, light, and a variety of brush strokes. Mary Jane takes an early-stage illustration from her book series Willow Buds and shows how to add variation, contrast, and a tactile quality to trees and grass, water, and the sky. These lessons are useful whether you're working with traditional media like the watercolors Mary Jane uses in this course, or digital formats like Adobe Illustrator and Photoshop.